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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Confide in Me

Magazine article by Sarah Hill, 2002

This article examines the photographic portraiture of Polly Borland.

Layne Beachley

Everybody's heard about the bird

Magazine article by Dr Sarah Engledow, 2008

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Portrait of Mr Frank Packer

Vintage Cassab

Magazine article by Dr Sarah Engledow, 2006

The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Rosaleen Norton, Witch of Kings Cross

Aussies All

Magazine article by Dr Sarah Engledow, 2006

Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Portrait of Captain James Cook RN

Thrown together

Magazine article by Dr Sarah Engledow, 2009

Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.

Portrait of Captain James Cook RN

Capturing Cook

Magazine article by Dr Sarah Engledow, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency